Guy Debord and the Society of the Spectacle. The event is part of the series „Philosophische Gespräche“.
Guy Debord has been called many things: pseudo-philosopher, nihilist, filmmaker, megalomaniac, third-rate Mephistopheles. His 1967 book The Society of the Spectacle has fallen into a similarly varied reception, frequently caught within the discourses of postmodernism, media and cultural studies or avant-garde art history. At the same time, it has further become an almost ubiquitous observation to say that we live in a society of ‘spectacles,’ whether with reference to television, advertising or social media. Here Debord most strongly appears as little more than a theorist of media distraction or consumerism.
Eric-John Russel in his book Why everything is at is Seems ("Warum alles ist, wie es scheint", auf Deutsch bei Tiamat 2026), however, abandons such narratives and instead offers a sustained examination of the concept of the society of the spectacle—a diagnosis on the way capitalist society has developed a form of social life dominated by appearances—through the two pillars upon which Debord understood his own work as a critical theory of society: Marx’s critique of political economy and Hegel’s speculative philosophy. His presentation will explore how Debord engages with these resources and thus pull him away from the discourses in which he is normally situated, instead examining his work within the lineage of German Idealism, Left Hegelianism, Hegelian Marxism, Marxist Hegelianism and Frankfurt School Critical Theory. Tracing Debord’s diagnosis out of this lineage makes explicit the merit of theorizing capitalism in terms of its forms of appearance, by emphasizing the difficulty in seeing the world not as it really is.
The event will be held in English. Admission: 2.00 Euro.
